Tag: adjudication

The Movement Chick: “Effort Qualities”

| March 12, 2012 | 0 Comments

Hello my darlings!!  Has the whirlwind of our crazy season swept you up and away yet? [Why, yes, I WAS in Kansas… why do you ask?  Sigh…No, I never did find the ruby slippers.  My broom ride flight home, however, was lovely] And, in the usual shocking nature of The Movement Chick, I digress into […]

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A Peek at Pacing

| March 5, 2012 | 0 Comments

So what’s all this talk about pacing?  At this point in the season, you may have heard the term ‘pacing’ as part of your General Effect feedback.  It truly is an important benchmark in the General Effect criteria given that it is listed second in the Repertoire section on the WGI sheets. But before I […]

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Movement Training Series #4: Travel

| February 27, 2012 | 0 Comments

Darlings!!! Yes, it is I.  A day late and a dollar short, as ever.  Le Sigh.  [Okay, fine. Three weeks late.]  Thank the good Lord that the other columnists here at the venerable CGE are so prepared!  Whew. Anyway.  Here we are in the throes of the 2012 season, spinning out little hearts out, yes? […]

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EA Series: Blending Form and Function

| February 20, 2012 | 0 Comments

BLENDING FORM AND FUNCTION . . . is the primary role of every designer. Have you ever heard the term “seamless” design on an EA tape and wondered what they meant? I’ll tell you. It means that there is a constant flow of events that lead from one to the next without any awkward breaks […]

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What Does That Mean? Understanding Terminology from an Equipment Judge’s Dialog

| February 13, 2012 | 2 Comments

During Field Season, the Auxiliary judge looks at everything that goes into your show, namely vocabulary (both body and equipment), costumes, equipment, props, staging of performers, color choices, etc..  If it is on the field and not playing an instrument, the Auxiliary judge will most likely talk about it. When we move into Winter Guard, […]

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General Effect Series #2: Production Value

| February 6, 2012 | 0 Comments

Production Value is a term that instructors will often hear from GE judges.  It is the aggregate value of music/sound, floor/set design, costumes, color and props all working together to create an overall production value in a show.  The key to production value is to marry all of the above elements together in a way […]

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What An Equipment Judge Is Looking For In Your Show……

| January 23, 2012 | 2 Comments

Often times, as I am sitting in the stands during a break in a contest, I get many questions from the spectators seated around me.  They vary from “what are you doing?” and “how do you sit that long?” to “do you really have to talk through the entire performance?”   Undoubtedly, at some point in […]

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General Effect Series #1: Overview of GE

| January 16, 2012 | 0 Comments

As a General Effect judge, I am of the opinion that GE is the best caption on a panel, but I guess every judge feels that way about the caption they specialize in.  What makes the GE caption so awesome is that the criterion assesses the overall program.  It is the only caption that takes […]

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EA Series: “Outside In”

| January 9, 2012 | 0 Comments

You may remember from my first article that I talked about relationships between the elements of a design. The buzz word for that concept is UNITY, and it’s an important one. In order for a design to be considered successful, all the parts need to come together in such a way that it works as […]

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Exciting New Feature! Check it Out!

| December 5, 2011 | 0 Comments

We are SO excited to announce a new regular feature here at CGE! We have assembled a team of experienced and talented adjudicators who will be joining us here at CGE on Mondays.  Each Monday will focus on one of the four winter guard captions. Cheryl Myers (our well-loved “movement chick”) will continue to talk […]

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