Category: General

EA Series: Blending Form and Function

| February 20, 2012 | 0 Comments

BLENDING FORM AND FUNCTION . . . is the primary role of every designer. Have you ever heard the term “seamless” design on an EA tape and wondered what they meant? I’ll tell you. It means that there is a constant flow of events that lead from one to the next without any awkward breaks [...]

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General Effect Series #2: Production Value

| February 6, 2012 | 0 Comments

Production Value is a term that instructors will often hear from GE judges.  It is the aggregate value of music/sound, floor/set design, costumes, color and props all working together to create an overall production value in a show.  The key to production value is to marry all of the above elements together in a way [...]

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General Effect Series #1: Overview of GE

| January 16, 2012 | 0 Comments

As a General Effect judge, I am of the opinion that GE is the best caption on a panel, but I guess every judge feels that way about the caption they specialize in.  What makes the GE caption so awesome is that the criterion assesses the overall program.  It is the only caption that takes [...]

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EA Series: “Outside In”

| January 9, 2012 | 0 Comments

You may remember from my first article that I talked about relationships between the elements of a design. The buzz word for that concept is UNITY, and it’s an important one. In order for a design to be considered successful, all the parts need to come together in such a way that it works as [...]

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EA Series: Transitions

| December 12, 2011 | 2 Comments

This will make your guard program better, I SWEAR! I had planned to cover this topic later in the series, but knowing that many guards are already starting their winter programs, I thought discussing it now might help prevent problems later on. One of the most common failures in all of color–guard–land is the dreaded [...]

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“What the Heck is Ensemble Analysis Anyway?”

| November 14, 2011 | 4 Comments

“What the heck is Ensemble Analysis anyway?” Many people (Guard Instructors) ask me this question and it baffles me. It seems so obvious to me. How can people not get it? Apparently, I’m in the minority here. So, I’m going to try to explain it over the next several months along with thoughts about how [...]

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When your band director says the “B” word… Budget

| November 9, 2011 | 0 Comments

Few other words evoke such a visceral reaction. Sweaty palms, increased heart-rate, feelings of entrapment, loss of control, arguments with family members or partners into the wee-hours of the morning… and now your band director? Seriously!  You were hired to put on an epic production of guardliness not crunch numbers. Isn’t that what the sallow-skinned [...]

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DIY: Color Changing Belts!

| October 26, 2011 | 1 Comment
DIY: Color Changing Belts!

I’ve been meaning to post this for a few weeks now, but we all know how time flies during the marching season! This year’s DIY project was a color changing belt. Our theme is “True Colors,” so we wanted the guard uniform change in some way to reflect the color song that was being played. [...]

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Collaboration

| October 12, 2011 | 4 Comments

I have always been a huge believer in collaboration.  As a young instructor and designer I was very lucky that in my first few years I met someone who took an interest in helping me learn about the winter guard activity. He arranged for other, more experienced individuals, to work with me and my group [...]

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Reflections on a Webinar: Transitions vs. Moments of Development

| January 19, 2010 | 0 Comments

In early December, I had the privilege of interviewing Karl Lowe for the WGASC education webinar series.  While there were certainly many nuggets of color guard gold that came from him during that interview, there is one in particular that I found to be especially compelling for this time of the year.  I really appreciated [...]

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