Category: Drill & Staging

EA Series: Blending Form and Function

| February 20, 2012 | 0 Comments

BLENDING FORM AND FUNCTION . . . is the primary role of every designer. Have you ever heard the term “seamless” design on an EA tape and wondered what they meant? I’ll tell you. It means that there is a constant flow of events that lead from one to the next without any awkward breaks [...]

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EA Series: “Outside In”

| January 9, 2012 | 0 Comments

You may remember from my first article that I talked about relationships between the elements of a design. The buzz word for that concept is UNITY, and it’s an important one. In order for a design to be considered successful, all the parts need to come together in such a way that it works as [...]

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EA Series: Transitions

| December 12, 2011 | 2 Comments

This will make your guard program better, I SWEAR! I had planned to cover this topic later in the series, but knowing that many guards are already starting their winter programs, I thought discussing it now might help prevent problems later on. One of the most common failures in all of color–guard–land is the dreaded [...]

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“What the Heck is Ensemble Analysis Anyway?”

| November 14, 2011 | 4 Comments

“What the heck is Ensemble Analysis anyway?” Many people (Guard Instructors) ask me this question and it baffles me. It seems so obvious to me. How can people not get it? Apparently, I’m in the minority here. So, I’m going to try to explain it over the next several months along with thoughts about how [...]

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Collaboration

| October 12, 2011 | 4 Comments

I have always been a huge believer in collaboration.  As a young instructor and designer I was very lucky that in my first few years I met someone who took an interest in helping me learn about the winter guard activity. He arranged for other, more experienced individuals, to work with me and my group [...]

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Transitions

| September 15, 2011 | 1 Comment

I. What makes a transition effective/ineffective? A.   Effective transitions 1. Make sense musically 2. Match the mood/dynamics 3. Leave an element of the guard to maintain emphasis 4. Maintain horizontal thought process (continuity) throughout program 5. Are planned to enhance the visual design of the entire ensemble B. Ineffective Transitions 1. Disrupt the horizontal thought [...]

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A MOVEMENT MOMENT #8: Put on Your Audience Eyes

| February 17, 2010 | 0 Comments

Zip.  Zero.  Nada.  Negative.  Nuthin. That’s how much colorguard exposure the Movement Chick has had in the past three weekends. You see, Mother Nature has apparently gotten ahold of my planner and wreaked havoc on my show schedule, and I have consequently been iced/snowed/airlined out of South Carolina, Ohio and Northern Virginia. Of course I [...]

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Reflections on a Webinar: Transitions vs. Moments of Development

| January 19, 2010 | 0 Comments

In early December, I had the privilege of interviewing Karl Lowe for the WGASC education webinar series.  While there were certainly many nuggets of color guard gold that came from him during that interview, there is one in particular that I found to be especially compelling for this time of the year.  I really appreciated [...]

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The Air Blade in Winter Guard: Avoid a Timing Penalty!

| December 23, 2008 | 0 Comments

Chances are if you’ve attended more than one marching band show this fall you’ve seen the new Air Blade in action.  In its first year, this alternative choice of weapon has been adopted by drum corps and marching bands across the United States. Now it’s time to design winter shows.  If you’re thinking about using [...]

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Tight Transitions (from Halftime Magazine)

| January 2, 2008 | 0 Comments

Here is an article I wrote for Halftime Magazine on how performers can tighten up their transitions to add a look of professionalism to the show.  Check it out on Halftime’s website and check out their other great articles as well!  Help support this new magazine which celebrates our favorite activity!

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